This Fall! Bobby Mahoney and the Seventh Son are bringing the rock 'n' roll to a town near you, East Coast and Midwest!



Bobby Mahoney and the Seventh Son Open For BON JOVI!

Bobby Mahoney and the Seventh Son were thrilled to open for Bon Jovi on Sunday April 8th at the Prudential Center in Newark, NJ to a sold out 19,500 crowd!

Here are some photos from the night! Videos to come!

Photos by Zack Morrison, Melanie Gomez, and David Bergman

Bobby Mahoney and the Seventh Son Open For Bon Jovi!

"Bobby Mahoney and the Seventh Son" EP Available Now!

Bobby Mahoney and the Seventh Son (EP) is now available for purchase physically and digitally worldwide!

Bobby Mahoney shares, “We went into the studio last summer with a handful of new songs, and some ideas for older tunes, with the goal of capturing a clear example of what we do as a band. I wanted the songs to speak for themselves, and to convey our live energy, and I think we were successful. We loved writing and playing these songs, and I think you can hear that on the record.”

Get your copy NOW @ Bandcamp, or the online shop here, or at a show!




Bobby Mahoney & the Seventh Son Announces New Self-Titled Album Set To Release March 23, 2018

Bobby Mahoney and the Seventh Son

East Brunswick, NJ – March 6, 2018 – New Jersey alt-punk rockers, Bobby Mahoney & the Seventh Son have announced the release of their self-titled album, due out March 23, 2018. The band released a video late last year for the album’s first single “Empty Passenger Seats,” which is available to watch HERE. 

On the record, lead vocalist, Bobby Mahoney shares, “We went into the studio last summer with a handful of new songs, and some new ideas for a few older tunes, with the goal of capturing a clear example of what we do as a band. I wanted the songs to speak for themselves, and to convey our live energy, and I think we were successful. We loved writing and playing these songs, and I think you can hear that on the record.”

Founded in 2010 under just the name “Seventh Son,” the band was originally intended for a single show, but they quickly caught on locally and began playing the New Jersey rock circuit. After the release of their first EP and undergoing some lineup changes, the band rebranded as Bobby Mahoney & the Seventh Son in 2014. Since then, the band has released three full-length studio albums, and have shared the stage with notable bands such as The Gaslight Anthem, Pity Sex and Pianos Become the Teeth. 

Bobby Mahoney & the Seventh Son is set to release on March 23, 2018. For more information, please visit http://bobbymahoneymusic.com/. 

Bobby Mahoney & the Seventh Son Tracklisting:

01. Empty Passenger Seats

02. Called It Quits

03. Lorraine

04. Roaring Twenties

05. Shot in the Dark (2017)

06. Another Deadbeat Summer (2017)

07. Black and Milds (2017)

08. New Age Outlaws (Live)

09. Leave It Frayed (Live)

10. Called It Quits (Live)


Upcoming Shows:

Mar 08 – Brick, NJ @ River Rock

Mar 24 – Asbury Park, NJ @ Asbury Park Brewery (Album Release Show)

Apr 13 – Asbury Park, NJ @ Asbury Park Yacht Club

Apr 14 – State College, PA @ Hush Room

Apr 15 – Niagara Falls, ON @ Light of Day

Apr 20 – New York, NY @ Bowery Electric

May 05 – Teaneck, NJ @ Debonair Hall

May 06 – New Brunswick, NJ @ Scarlet Pub


Seventh Son

Bobby Mahoney & the Seventh Son is Bobby Mahoney (vocals, guitar), Andrew Saul (guitar, backing vocals), James McIntosh (drums), and Jon Chang-Soon (bass, backing vocals). 

For more information on Bobby Mahoney & the Seventh Son:

Website: http://bobbymahoneymusic.com/

Facebook: https://www.facebook.com/BobbyMahoneyMusic/

Twitter: https://twitter.com/BobbyMahoney

Instagram: https://www.instagram.com/bobbymahoneymusic/



Press Contact: 

Kirsten Horner | Big Picture Media

Website | Twitter | Instagram | Facebook 

85 Delancey St., Suite 47 | New York, NY 10002

Office: 212-675-3103, ext. 7 | Kirsten@BigPictureMediaOnline.com 


Feb-March 2018 Dates Announced AND NEW BASSIST!

Feb-March 2018 Dates Announced AND NEW BASSIST!

We are thrilled to announced our February and March 2018 shows! From Will Wood and the Tapeworms' record release in Dunellen, to a weekender with A Boy Named John, to our own record release in Asbury Park, and every show in between--we have a wild line up ahead of us! On top of those, we are estatic to announce our new full time bassist, Jon Chang-Soon! We are happy to welcome him into the Seventh Son family. Make sure to say hey to him at one of the upcoming shows, and make him feel welcome! Hope to see you out there!

Feb-March 2018 Dates Announced AND NEW BASSIST!

2.3 Dunellen, NJ

2.10 New Brunswick,NJ

2.23 State College, PA

2.24 Akron, OH

2.25 Albion, NY

2.28 New York, NY

3.08 Brick, NJ

3.24 Asbury Park, NJ

New Tour Dates Added- VA & The Stone Pony!

New dates have been added to the Fall 2017 Tour!


10/28- Two and Ghost (House)- Norfolk, VA

11/3- The Stone Pony- Asbury Park, NJ *Homecoming Show


"Party time! Excellent" -Wayne Cambell 

Fall 2017 Tour UPDATED

New singles- Fall 2017 Tour

We are very excited to show you our first two singles: Empty Passenger Seats, and Another Deadbeat Summer (2017), along with our Fall 2017 Tour Dates! More being added every day! Stay tuned for more! Enjoy the new songs! Just the beginning, folks!

Empty Passenger Seats // Another Deadbeat Summer [2017]

9/28 New Brunswick, NJ

9/29 Smithtown, NY

9/30 Somerville, MA

10/6 Asbury Park, NJ

10/7 New York, NY

10/13 New Brunswick, NJ

10/14 Bloomfield, CT

10/18 Monaca, PA

10/19 Akron, OH

10/21 Murfeesboro, TN

10/22 Memphis, TN

10/24 Atlanta, GA

10/25 Birmingham, AL

10/26 Augusta, GA

10/27 Wilmington, NC

Photos by Kelsey Ayres

Art by Rich Weinberger and Elijah Reiss

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House of Independents Show Announced for 8/31 with Special Guests!

House of Independents 8/31

We are thrilled to announce that Bobby Mahoney and the Seventh Son will be headlining the gorgeous House of Independents in Asbury Park on August 31st with Special Guests: A Boy Named John, The Vaughns, and Deaf Rhino! Tickets are available at the HOI Box Office, on Ticket Web here, or in person through one of the band members! We can mail and/or deliver tickets! You do not want to miss this show! More surprises and exciting things to be announced!

Colton Kayser and Bobby Mahoney 2017 Spring Tour

Colton and I are very excited to announce that we are hitting the road this month! 

Northeast friends, come hang! We would love to see you!

-more info on the Shows page-

Colton Kayser and Bobby Mahoney Spring 2017 Tour

Well, That Escalated Quickly

Well...that escalated quickly! 7 shows in 8 days, plus other extracurriculars! Hang onto your hats and undergarments. 

3/1 At 11:30pm tune into Jersey Rock on 95.9 WRAT to hear a track off "Shot in the Dark" and an interview! 

3/2 WRAT Jersey Rock Showcase at The River Rock- Brick, NJ w Wynward, Experiment 34, and Julian Fulton and the Zombie Gospel 7-11pm **free show**

3/3 Asbury Hotel w Sunday Blues and Ian Bamberger 8-11pm *JUST ADDED* **free show**

3/4 Bube's Brewery- Mount Joy, PA w Froth, Pink Mexico, Tyler Burkhart, Don Babylon 

3/6 Be Here Now- Muncie, IN **free show**

3/7 The Buzzbin- Canton, OH

3/8 The Station- Garwood, NJ *acoustic* 8-10pm

3/9 Brighton Bar- Long Branch, NJ w Doug Zambon, Johnny Ott, Joey Affatato, Dan Amato, and Deaglan Howlett *acoustic*

We even have some more surprises up our sleeves coming soon. Stay tuned. We love ya. Thanks for all the continued support, and hope to see you somewhere!


Reckless Tour 2017 Dates Announced!

Hitting the road!

Reckless Tour 2017 Dates Announced!

We are very excited to be doing cool things with a bunch of great artists these next couple of months! This is just the tip of the iceberg. Much more to come. It is going to be Reckless™! 
See you out there!

2/17 J House- NB, NJ w/ A Boy Named John, Man Dancing, and Jean Pool. 8pm//$5

2/24 Josie House- Richmond, VA w The Smirks, Graveside Breakfast, and Idiot-Proof

3/2 WRAT Jersey Rock Showcase at The River Rock- Brick, NJ w Wynward, Experiment 34, and Julian Fulton and the Zombie Gospel

3/4 Bube's Brewery- Mount Joy, PA

3/6 Be Here Now- Muncie, IN

3/7 The Buzzbin- Canton, OH

3/8 The Station- Garwood, NJ *acoustic

3/9 Brighton Bar- Long Branch, NJ w Johnny Ott, Doug Zambon, Joe Affatato, and Dan Amato

3/25 Chubby Pickle- Highlands, NJ

3/29 Arlene's Grocery NYC

4/1 Dingbatz- Clifton, NJ w Broken Past and more

more dates tba

Bobby Mahoney and the Seventh Son Release New Album "Shot in the Dark"!

Shot in the Dark is the 3rd full-length studio album by Bobby Mahoney and the Seventh Son

The band said, "We wanted to record an album that showcased this band in its current line-up, with a live, raw, and "reckless" sound. This is the result of those pursuits."

The album was recorded, mixed, and mastered at William Paterson University by Joe Larkin.

“There's a lot to gleam from "Shot in the Dark," but perhaps its most exhilarating quality is its promise of more…the record offers as much or more as ever. The words, notes, and motifs mark another step forward for the band…The guitars and vocals are present, and the drums and bass groove deeply [and] Mahoney's direction as a songwriter continues to evolve and show new promise”

- John Shepherd

Musician, friend to the band, and contriuting editor of mayhem.com

Shot in the Dark is now availalbe worldwide.


BANDCAMP: https://bobbymahoneymusic.bandcamp.com/album/shot-in-the-dark

SOUNDCLOUD: https://soundcloud.com/bobbymahoneymusic/sets/shot-in-the-dark-bobby-mahoney-and-the-seventh-son

"Shot in the Dark" Video Out NOW!



Produced by Zack Morrison
Photographed by Adam Volerich and Zack Morrison

Song recorded by Joe Larkin at William Paterson University

The "Shot in the Dark" album will be available digitally Friday July 8th.

Record Release Show @ The Stone Pony on Sunday July 10th!



“Shot in the Dark”: New Record and Summer Tour!

“We wanted to make a record that captured the energy of the band live. We wanted it to be raw, imperfect, and honest, while letting the songs speak for themselves, and we really could not be more excited about it all.”

Shot in the Dark will be available digitally on July 8th via Bandcamp, Spotify, iTunes, etc., and July 10th on CD.

As if that wasn’t enough good news, the band will also be doing their biggest tour to date to support the new record, including a record release party at The Stone Pony in Asbury Park on 7/10 with special guests Backyard Superheroes, Goodbye Tiger, and Will Wood and the Tapeworms!

Bobby Mahoney and the Seventh Son

“Shot in the Dark” Summer Tour 2016

6/2 The Meatlocker- Montclair, NJ
6/3 Firehouse 13- Providence, RI
6/4 PA's Lounge- Somerville, MA
6/18 Bowery Ballroom- NYC
6/25 LobsterFest- Bradley Beach, NJ
*7/10 The Stone Pony- Asbury Park, NJ*
7/16 Buzzbin- Canton, OH
7/18 Be Here Now- Muncie, IN
7/19 Daisy Dukes- Nashville, TN
7/20 Swayze's- Marietta, GA
7/21 Double Door Inn- Charlotte, NC
7/22 The Josie House- Richmond, VA
7/30 Chickie and Pete's- Egg Harbor, NJ

8/13 APYC- Asbury Park, NJ

8/19 Arlene's Grocery- NYC

9/9 The Court Tavern- New Brunswick, NJ

More dates TBA!


Thanks so much for all the continued support, and we will see you on the road!

Upcoming Shows! Winter/Spring 2016

Bobby Mahoney and the Seventh Son will be doing a handful of shows over the next few months while they begin work on their newest studio project, which is due this Summer! More shows TBA!

Upcoming Shows! Winter/Spring 2016

2/22 Wonder Bar- Asbury Park, NJ

2/26 Paul's Tavern- Belmar, NJ

3/4 Monmouth University- West Long Branch, NJ

3/18 Sammy's Patio- Revere, MA

3/19 APYC- Asbury Park, NJ

4/1 Open Arts Stage- Bordentown, NJ


Final Shows of 2015

Final Shows in 2015

2015 has been a big year for us. Bittersweet at times, for no band is without growing pains, but it has really been a fun year with a lot of amazing nights and memories. I cannot wait to see what 2016 has in store for us!

However, before we get to the New Year, we have many faces to melt at our final four shows of the year! If you haven't been out to a show yet, now is the time! If you have seen us 50 times, your 51st show will be the best one yet!

So get out of bed, put on your finest leather jacket, and get your ass to a gig! December 2015 won't know what hit it!

12/11- Firehouse 13- Providence, RI

12/12- PA's Lounge- Somerville, MA

12/19- The Court Tavern- New Brunswick, NJ

12/21- The Wonder Bar- Asbury Park, NJ


Photo by: Mitchell Bilus

Behind the Song: Don't Ever Love Me

Behind the Song: “Don’t Ever Love Me”

Behind the Song: Don't Ever Love Me 

            “Don’t Ever Love Me” was the second single we released for “The Outskirts”. One day Jon and I were writing over Skype and iPhone voice memos, and he sent me the barebones of a riff with this cool F#-F-F# movement and he told me to “run with it”. So I did. At the time, I was taking the Songwriting I class at William Paterson with Professor Martin Briley (“Salt In My Tears”, Celine Dion, Shinedown, etc.). We spent one lecture talking about “Chord Pacing” and how as the song progresses, the pace of the chords should change (ex. 4 measure changes to 2 or 1, for more movement) then we were told to write a song utilizing this concept.

            I went back to my dorm that week and went back to the riff Jon had sent me and began tweaking it. I used the chord pacing idea in the verse, going from 1 measure changes to 2 beat changes in the second half. It gives the song a bit more movement, and on the record, the left and right panning, combined with Jon and I playing octaves of each other really highlighted this change and made it pop.

            In the studio, we spent a lot of time on the vocals. I was in the booth for a couple of hours doing the falsetto harmonies, and we had many takes of gang vocals in the choruses, the bridge, and the outro. We had another set of gangs doing a round with the “I don’t want to be addicted” part at the end, but we ended up scrapping it because it was becoming too cluttered- but it was cool nonetheless.

            Dan came up with the harmonic, “Edge-esque” guitar part in the beginning of the tune, and I think that’s one of the things that helps set it apart from the other tunes on the record. It’s a really cool part. As a pop, song I think it is probably a close second in catchiness to “Another Deadbeat Summer” but I think this song has a little more of an emotional charge to it.

            Lyrically, I wanted to write about two broken people, and one of them knowing that the best thing for the other person was to stay away from them. It takes a lot of courage to admit you love someone, but it takes an entirely different level of courage and restraint to say “I love you, but you shouldn’t love me, for your own good”. I really enjoyed the idea of love being an addiction because it absolutely is as potent as any drug out there. It is something you crave, and the one character knows that if she lets herself fall, she will get completely hooked again, and she can’t handle being broken again. She also doesn’t want to be the one to break him.

            The song is each character stating their case and pleading with the other. Zack Morrison brought this aspect of the song to life in the video he directed. The beginning of the video (and the song) starts out like any date would, and it has an overall happy tone to it. As the song progresses, each character begins to drop the ruse and begins to show their true feelings, one being completely head over heels, and the other hesitant to feel the same. By the end of the song, they are screaming at each other because they are just so frustrated with the situation. It doesn’t have a happy ending- at least in this chapter of the story.

Stay tuned for more "Behind the Song" entries.




Photo by: Phil Shepherd


Behind the Song: Done

After we released “Friends in Low Places” in 2014, every few weeks we released a small article about each song, going through the inspiration, the songwriting process, and the recording of each tune. We really enjoyed doing this, so we are going to do it again for “The Outskirts”. Without further ado… 


            The first song on “The Outskirts”, and also the first radio single (release on 95.9 WRAT), “Done” is probably the heaviest song in our catalog to date. This song was Jon’s baby on the record. He brought the riff, the basic format of the song, and the title to us at a rehearsal in Joe Larkin’s studio all the way back in August of 2014. Originally, the song started with the fuzz bass, then eventually took a Zeppelin-esque turn and broke down to this free-form section before screaming back a la “Whole Lotta Love”. Eventually, we decided to down size it, while keeping the main riff and overall tone. Jon came back with a near complete arrangement, and I wrote the lyrics for the verses and the chorus, as Jon had the “No more lies…” outro.

            Lyrically the song is a blunt look at the cycle of falling in love, heartbreak, rebounding, and so on and so forth. It is also a snapshot of the “hook-up” culture and casual sex that our generation has adopted. Its about being fed up with that cycle and culture, and struggling to find something more meaningful in text messages sent at 3am.

             While it is our heaviest song, I think it is our most technical and toughest to play. Those Foo Fighters- style accents in the verses took a lot of practice to synch up and get right, between all of us, and especially while I was singing. The fuzz-bass intro w/ that slide in was a huge part of the song from day one, and that’s actually me playing bass on the recording for the intro- I was very picky about how long the slide-in was, and wanted to make sure it had the raw attitude and feel that we envisioned. We also spent a lot of time getting the guitars to sound “larger-than-life” which would sent the tone for all the guitars on the entire record. We used AC/DC’s “Rock or Bust” as a template for what we wanted the guitars to be- raw, loud, and powerful. All the guitar parts were recorded with Blackstar Amps, so we were able to get that “Marshall-y” sound with a bit of a modern kick.

            One fun fact about the track was that at one point, we doubled my vocal track, and in Pro Tools, dropped one of them down an octave to get a bit more low-end and to make it grittier, but for a while that was all I could hear, and I hated it, and I refused to release the song until we took it out, and to this day, I am crazy enough to think I can still hear it- but that’s my own insanity. The recording process definitely takes a toll on my mind!

Stay tuned for the next installments of “Behind the Song”, and see you on the road!



New Video- "The Outskirts"


"The Outskirts"

Directed by Zack Morrison

"The Outskirts" Now Available Worldwide

Bobby Mahoney and the Seventh Son's sophomore record "The Outskirts" is now available in physical copies, as well as on iTunes, Spotify, Bandcamp, and more.

 of The Aquarian Weekly said "If you’re looking for something that has the typical sounds of the Jersey Shore, The Outskirts probably isn’t for you. The record steps far outside those boundaries, at times dancing the razor’s edge of hardcore and metal before settling into a boisterous center of raw rock and roll," and "The Outskirts is an unbridled ride across style, attitude and the rebellious tube-fueled angst of an artist not satisfied to tread water."

Download "The Outskirts": https://bobbymahoneymusic.bandcamp.com/album/the-outskirts

Bobby Mahoney and the Seventh Son to release new album "The Outskirts" July 18

After several months of touring and recording, Bobby Mahoney and the Seventh Son has announced the group's second full-length studio album. 

The band will release The Outskirts, the follow-up to 2014's Friends in Low Places, later this summer on July 18. The album will be available both digitally and in hard copy form, and will be an independent project.

The Outskirts features 10 tracks, with the first single "Done" to be released in May. The project also features songs such as "Don't Ever Love Me," "Jackie Was a Renegade" and the title track, "The Outskirts." Songs on the album were written and composed once again by Bobby Mahoney and Jon Alba.

"I think we have matured a lot in the last year and that is reflected in the songs," Mahoney said. "I genuinely think this is the best writing we have done to date. The songs are fun as hell to play, and I cannot wait to start busting more of them out live. We have been working on some of these songs since July and August of 2014."

"It's a hard rock record all the way," Alba said. "We really pushed the elements with the songwriting, looking to be more creative than what is on Friends in Low Places. There are some cool things we've never tried before, which you'll hear immediately with the release of 'Done.'"

The Outskirts was recorded at Quiver Audio Studios in New York City. It will see the return of Max Aharon as producer and sound engineer. 

"We were happy to work with [Max] again. He knows us better than we do musically, and he was an obvious first choice to work with us again. He has a lot of experience and we are often on the same page from a production style. He pushes us to play better." Mahoney said.

Accompanying the album release will be a show at The Saint in Asbury Park, New Jersey July 18. Details regarding tickets will be released at a later date.

Follow Bobby Mahoney and the Seventh Son on Facebook and Twitter for more information.

Make Your Own Luck: The story behind the EP

The following is an open letter from Bobby Mahoney

“You have to make your own luck,” is probably the best advice anyone has ever given me about perusing a career in music, or about life in general. No one is going to hand you anything, and you aren’t going to get “discovered” while singing 90s songs in your shower. You have to create your own opportunities.

While working with my partner in crime, Jon Alba on the next Seventh Son record, I found myself writing a bunch of mellow acoustic songs in between writing kick ass hard rock tunes (if I may say so ourselves). I was listening to a lot of Neil Young, Jesse Malin, Brian Fallon, Johnny Cash and Paul Simon at the time. I hadn’t released any acoustic tunes since 2012, and it was a voice and style that I wanted to reconnect to before we jump right back into electric, “in your face” Seventh Son mode.

The songs were all written between July of 2014 and February of 2015, and they all had varying inspiration. I tried to be more conversational with the lyrics, getting away from the grandiose and exaggerated ideas found on Friends in Low Places. I wanted to the songs to be simple and short.

The EP kicks off with the song “Mayhem,” which was probably the most blatant, “hey girl I used to really like, this song is about you” song I’ve written thus far in my career. On the other songs, I take composites of other people, events, places, and combine them and change details to fit exactly what I am trying to convey, but on this song, each section has its own specific memory and I really didn’t change all that much from real life, to the recording. I feel extremely close to this song, and that’s probably not the best thing for my sanity, but any chance at salvaging that has long since past. In the original version of the lyrics, I used the word “fuck” a generous-amount, and I eventually went back and tried to be more eloquent about my feelings. I think that actually helped the song in the end. I really liked the idea of using the title “Mayhem” because it evokes chaotic and violent images that would typically be found in a heavier tune, but it is a sweet acoustic ballad. I think that contrast really makes the song.

Next, “Called it Quits,” which is probably my mother’s least favorite song I’ve written, but that’s okay – I still enjoy it. I wrote this song after listening to a lot of emo-punk bands, such as The Menzingers, and Modern Baseball. I wanted to deliver that same sense of indifference and informality in the delivery of the lyric. For the “hope its all right, hope its okay” portion, I channeled Cobain from “All Apologies,” at least that is what I envisioned. Last year I found myself wandering around campus at night with my iPod on shuffle, just listening to whatever and enjoying the solitude of the night, and this song was born from a few of those nights. “I don’t usually take long peaceful walks, but it is still not dark out yet.”

“Anna” is the third song on the EP, and it is loosely based on someone I knew briefly when I was younger, who was working on writing a book back when we were in middle school or junior high. The concept of writing a book at such a young age really impressed me, and I don’t know if she ever finished it or anything, but the song hopes that she didn’t change and eventually finished the book. We played this as a band one time in rehearsal and it was almost a Country-esque ballad, but I opted to just play it solo acoustic. I wouldn’t be surprised to see a bunch of these songs getting the band treatment over the next few years.

“Troubled Breeze” is about the Court Tavern on Church Street in New Brunswick. There is this stop sign that is almost completely covered in stickers from all the bands that have played there, and I have spent a lot of time just standing under it talking to a lot of interesting characters as they bum cigarettes and talk about whatever bands they love or hate. When I was younger, I had a song called “Troubled Breeze” that I played on piano. This song has nothing to do with that, other than I recycled the title, but I’ve always liked the imagery.

The penultimate song on the EP is “Letters From the End of the World,” and this would be the “rocker” of the bunch by default because the others are so mellow. I name check my friend Kevin Dziuba’s band “Check Your Morals” in the first verse. When I think about the end of the world, I wonder if some other beings come after us, will they hear the songs, read the books, letters, and graffiti on the walls and understand who we were, or will everything get lost? It is pretty abstract, but it was really interesting to think about trying to figure out who we are now solely by the art. Will it all hold up over time? Who knows.

“Writing Our Own Eulogies” sort of follows the idea of “Letters,” but it’s a more personal “how will I be remembered?” We all have our own ideas of who we are and what we are doing, but I wanted to write about making the best of the time we have because we all want to be remembered for our positive accomplishments, which isn’t always easy. People can be petty and judgmental and it is unfortunate but people love to drag people down. The idea of not being remembered, or remembered for the right reasons honestly scares the shit out of me, and that is what the song is about. While it is extremely morbid, we have all had the late night, deep, heart-to-heart conversations about everything from ex-girlfriends to our own mortality and this song came out of one in particular.

I spent a lot of time debating whether or not to release these songs now, with releasing the next Seventh Son record this summer, but in the end I wanted these songs to be heard, and I wanted them to be heard now. Our super fan, Nick Passell, said, “its a good appetizer to what will hopefully be a great entrée” and that was the point. Its not supposed to be groundbreaking, its not supposed to sound perfect, it is just a few simple, yet powerful songs that I wanted to sing in a raw, live format. For most of the songs, the vocals were recorded directly with the guitar, in order to get that live feel. While I know this isn’t the high-energy rock sound that people are used to from me, I really wanted to record these songs for me because I felt I needed to sing them at this moment in time. That being said, I am very proud of this project, and I hope you all enjoy it!

You have to make your own luck – so I did.

“Luck” can be found on Bandcamp.


Bobby Mahoney to release digital acoustic EP "Luck" April 12

Album art by Elijah Reiss

In the first of a series of news to be released over the course of the next few months, Bobby Mahoney announced Sunday the release of his next compilation.

Luck, an acoustic EP, will be digitally-released April 12 exclusively through Bandcamp. Those who download will be able to name their own price for the album. 

"It's a collection of a few acoustic tracks I wrote over the last few months that I thought would be best showcases in a minimal, acoustic setting," Mahoney said.

Recorded in February 2015 at William Paterson University in Wayne, New Jersey, the EP sees the return of Max Aharon as producer and engineer. Aharon served the same roles for Bobby Mahoney and the Seventh Son's Friends in Low Places, the full-band album released last June. The project also received assistance from Nicco DiRenzi, who appeared on a track on the previous album.

No other members of Bobby Mahoney and the Seventh Son appear on the record. The band will be announcing a new project shortly.

The acoustic EP will be his first solo endeavor since 2012's Delicate Fall From Grace album, which earned Mahoney a nomination for "Top Acoustic Act" at the 2013 Asbury Music Awards.

Mahoney will be playing several acoustic shows to promote the EP. Stay with BobbyMahoneyMusic.com to find out more information about upcoming shows, and follow Bobby Mahoney and the Seventh Son on Facebook and Twitter.

For press inquiries, please contact BobbyMahoney20@gmail.com.

Statement from Bobby Mahoney and the Seventh Son

Sunday night, Bobby Mahoney and the Seventh Son announced Dan Guerron as its new bassist with the departure of Joe Larkin.

Guerron has since informed the band he has elected not to move forward with his decision to join. The band will continue with other options without disruptions, recording and touring as scheduled.

Upcoming tour dates for Bobby Mahoney and the Seventh Son can be found below.

Behind the Song: "Star-Crossed"

Courtesy: Nathalie Le Pennec

It's now been more than seven months since the release of Bobby Mahoney and the Seventh Son's debut full-length album, Friends in Low Places. Despite the time, the songs remain fresh for much of the loyal fanbase.

One of the favorites for the crowd continues to be "Star-Crossed." Bobby and Jon discuss track No. 8 in the newest "Behind the Song."

Where did you draw inspiration for "Star-Crossed?"

BM: "I drew inspiration from 'Peter Pan,' 'West Side Story,' 'Romeo and Juliet' and 'Bonnie and Clyde.' A lot of fucked up love stories that were doomed to fail. These relationships were completely romanticized and ill-advised, but they were dumb and in love and followed their hearts (usually to their own demise)."

JA: "I didn't have much to say with the lyrics for this one, but very much its aura. We didn't really have a true bombastic, epic-in-sound track yet for the album at that point, and that's something I'm big on. So I would say I had a pretty big influence on the track sounding (audibly) how it does."

How did the song change since how you initially wrote it?

BM: "What ended up being the chorus, was originally the bridge and at Jon’s suggestion, I re-worked the song and it came out to how it is on the record. There was also a third verse that we cut in order to streamline the song, but we use it as a live intro to the song. I wish I didn’t have to cut it, but I’m glad we were able to repurpose it."

JA: "The song was originally three verses, a bridge and a chorus. He was going for something different, and I respect that, but when I heard the bridge, I knew that was the catch. That was the part I remembered from it. That was the part I could see thousands singing along to at once. I begged him to redo it with that as a chorus, throw in a solo and have this huge ending. I actually ended up composing the drums for this song, with two sticks I had laying around and a bedspread. I also wrote the lead for the song that Dan plays live."

What's your favorite element of the song?

BM: "I really enjoy the verses and the solo. The crowd usually sings the chorus, so I also enjoy that aspect of it."

JA: "Obviously the chorus is great, but my favorite part of the song is undoubtedly the solo. It tells a story, which I beg and push Bobby to do every single time he records one. It's actually my favorite part of the entire album."

This is one of the poppier songs on the album. Were you trying to write one like that?

BM: "Not really. When I sit down to write, I don’t go 'oh I’m going to write a pop song, or a love song' I just put the pen to the paper and let my mind wander until I find something that feels right."

JA: "I don't think it hurt that we wrote one. I wanted this enormous sounding anthem of sorts. I think, to a degree, that gets across."

How is it represented live?

BM: "Like I said, we use the cut third verse as the intro, and the crowd really gets into this song because of the easy, catchy chorus. It is always a fun, high-energy song to play live."

JA: "It's the only song that we play I use effects on. So that's pretty cool. Crowd really gets into this one, and I give a nice lead-in to Bobby's solo. Dan and Joe add a lot on backup vocals too."

Where does it stand on the album for you?

BM: "It is the only full 'love' song on the record, and the main character is referring to the same girl he is refers to in the end of 'Scoundrels.'"

JA: "I personally would have placed it after 'Deadbeat' on the album, but I get why it comes after 'Guilden Street.' It works."

Will this one stick around as you enter Another Deadbeat Tour?

BM: "I don’t see why not. I like it and the band likes it and the crowd likes it. Even Joe sings along."

JA: "Not my say, but I sure hope so. Maybe stagger it a bit to make it more special."

Mahoney also noted he recorded all the leads and solos for the song in one take, a rarity these days for musicians.

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